Hey there, DreadHeads! 2 down, 10 to go. Here’s what happened in February and what’s going down in March.
3 more episodes last month, and there will be another 3 this month. I’m still organizing content for the eventual DP StoryTime podcast, that one isn’t in production until I have my current book farther along. Find the podcast wherever you subscribe, and follow along!
29 pieces done in February, including 3 for my next big release. I’m using AutoDesk Sketchbook to do digital art for that book, and I love how it is all coming together. I am also drawing the cover for this one, it is going to be fantastic. Can’t wait to share it with you!
Blogging is all but dead, I only keep this page going as a placeholder for an eventually larger, sexier, more powerful website.
I did finish a draft of WAC, it’s rough but very workable, and once I finish the art I will polish the text.
I also picked at a story called HOMEWORLD which will be one of the first DP StoryTime adventures once that gets underway. Having a few ideas in process helps me to keep the wheels turning in case I stall on one.
Once this thing gets moving it’s going to be a ton of fun.
Yeah I lost zero weight in February. Well, maybe a pound or two, but life was just a kick in the pants. We had a baby last month so we’re still in adjustment-and-new-sleep-schedule mode at House Dread.
I’m going all-out tyrannical on it for March and I will weigh 205 pounds by the end of the month. Mark it.
During my art sessions I either listen to podcasts or watch B-minus programming on Amazon, and this show has been pretty interesting so far. It’s about Prohibition in the south and the lasting impact it has had on the region.
Celebrate with me, January is finally over! One of the two most miserable months of the year, the other one being August. The first is cold and joyless, the second is hot and joyless, it is what it is. Here’s what I did last month:
Putting out 3 episodes proved to be much better than doing 13. So far I like that format. The first two episodes saw the passing of Mike Resnick and Christopher Tolkien (who I have read) and the third episode dropped right at the passing of Mary Higgins Clark (who I have not). A solemn month for legendary writers in their genres.
Right now I’m reading an old Resnick title that I never got to, and I’m already enjoying it tremendously after one chapter. The man uses dialogue like surgeons use scalpels.
Be sure to subscribe to the Brother Trucker Book Club Podcast wherever you listen to podcasts. Thank you, listeners!
My #draweveryday challenge was a success! 31 new pieces of varying quality made it into my sketchbook, or into the digital archives as the case may be. Check out instagram.com/dreadpennies to follow along.
The above image was by far my favorite. I got to sit in a safety class for three days at work, and had this idea after seeing an article that said Texas legalized the hunting of feral pigs from a hot air balloon. Story Idea!
So I drew it as I listened to the instructor drone on about the importance of not running people over with your truck. (I had heard this information before.)
As for this challenge in February, check out the video below:
I admit I wish I had finished a draft of WITH ANSWERABLE COURAGE this month. To be honest I’m having trouble finding a balance between the new job at Krakengard and my responsibilities at home, but I think things are finally clicking. Just gotta grab life by the face and slap it around a little bit.
That said, I’m three chapters away from having a draft down, and then I’ll switch gears to the illustrations. Still looking at a post-Halloween release date.
I’m also–and this is very tentative, I don’t have details for you–beginning the preliminary stages of developing an audiobook for SLEEPLESS HOLLOW. Cannot wait to have that one out there in my favorite format.
Last year I lost 20 pounds and then found them again in about 5 months, so believe me I’m pretty mad about that. I blame the new job, which is exceptionally less physical than the old one. I’ve finally figured out what to do about that, and if you care to follow along my fitness journey, check out @batteringraham on Insta.
Really we’re just gearing up for the baby to come, which feels like it’s taken forever, and I’m not even the one who has to carry her all the time. Ugh you guys, my poor wife…almost there. Home stretch.
In the meantime, GUYS check out this great YouTube Channel I found and totally love: it’s called Ambient Worlds, and the guy puts together these hours-long videos of movie soundtracks with nice sound effects in the background. For example, he’s got mood music for each of the Hogwarts House common rooms, with fires crackling and whatnot. He also has videos for Gondor, Rohan, the Shire in Middle-Earth, or stuff for the Hunger Games, I mean…everything. It’s just beautiful. I’ve been writing to it and I love it.
Okay time to get back to work. If you’ve read any good books lately, comment below! I’m always on the hunt for a recommendation. I’m trucking full-time, last month I read 15 books, I can probably get to yours 😀
If you haven’t been following on Twitter or Insta, I’ve recorded the first 3 chapters of SLEEPLESS HOLLOW, which launches next week! They’re on the Brother Trucker Book Club Podcast. Individual episode links below:
And for some icing on the cake, check out my page on Inktale! You can buy all kinds of sweet merch with the Headless Horseman on it! Everything from throw pillows to towels, mugs, shirts, hoodies, and more.
Hey there, DreadHeads. Here’s an update on my various projects, and when you can expect various things over the next year.
I’m 95% done with the cover. Illustrator Greg Newbold (check out his wonderful work here) has graciously weighed in on my in-progress shots on Facebook, and his feedback has really helped to clean it up. Here’s what it looks like right now, cover not final.
I still don’t feel comfortable announcing a release date for it. I have a few more things to write into the manuscript, which came in at 60k words. Right now my editor has it and her initial opinion is highly encouraging. I’m sooooo excited to share this book with you guys.
THANKSGIVING EPIC FANTASY:
A few years ago I jokingly drew a picture of some Pilgrims and Indians riding giant turkeys into battle together, and I lamented the lack of fun Thanksgiving books. We have tons for Halloween and Christmas, why not round out the trifecta?
So I’m working on a book that will come out next year in November, which coincidentally is the 400th anniversary of the Mayflower arriving in North America. Right now I’m in the research phase, and I just finished reading this great book by Caleb Johnson.
I want to use as many real historical figures as possible, and in order to do it well, I needed to know more about everyone on the boat. In November I’ll read another book for research, written by William Bradford himself:
I’m not revealing the title of my book yet, but you can bet it will be fully illustrated. This continues the streak of my best story ideas starting out as sarcasm.
BRIMSTONE, or “Blast Crew Goes to Mordor”:
This book needs a lot of work. Major thanks to my friend Madeline for an extremely thorough reading of it, she gave me a lot of feedback that will make the story tons better if I apply it right. Unfortunately there is nothing about that process that I can rush, and when I do get around to this book it will have a TON of artwork in it, so I wouldn’t expect it out before 2021 at the absolute earliest. Trust me that it will be quite the ride when it is there. In the meantime I’ll work on smaller projects for annual releases, and pick at this one slowly so I don’t rush it.
I’m so happy about how well the podcast is doing! Big thanks to everyone who’s tuning in. Look up the BROTHER TRUCKER BOOK CLUB wherever you listen to podcasts. I do three episodes a week–two for book reviews, one for trucking stories, usually around 15 minutes.
At the time of this posting I have read 98 books in 2019, 35 in print and 63 on audio. This doesn’t include 12 books that I elected not to finish after getting about a quarter of the way through. 2019 has been a great year for discovering new good books. And the best time of year hasn’t even landed yet!
This is hard to predict, and is mostly guided by things that I would like to do. I just have to be selective with my time. I want to release at least one book per year. Sometimes that will mean a short book, but I’ll always have something in the queue.
This fall I’m going to practice more with digital drawing, because I’ve got a major itch to get into cartooning. We’ll see how it works with my writing, because novels are my first true love. It just might be time to start having some little art kidlets, if I can swing it.
The important thing is to not spread myself too thin and burn out, as I often do. My real kids are getting older and I really want to dedicate more time to adventures with them. I just have to balance my craft with the more important things.
That’s all. Stay tuned to my Twitter and Instagram (@DreadPennies) for other updates. Thanks everyone.
Now that Avengers: Endgame has destroyed the entire worldwide box office, it’s time to complete an analysis that I’ve been looking forward to for a while.
Joseph Campbell’s monomyth, called The Hero’s Journey, is a storytelling pattern that is found all over the world, in all time periods. The story of Captain America follows it with admirable fidelity throughout the Marvel Cinematic Universe.
Granted there are a few deviations–the story was handled by numerous writers and directors, as well as the creative director–but the steps are there, some of them more prominent than others. There were also some clever turns where the steps were presented out of order, or with roles reversed, as you’ll see.
In this case the adventure is World War II. More to the point, the call hits Steve head-on when his best friend, Bucky, gets deployed, and Steve can’t follow him.
2: Refusal of the Call
Steve of course didn’t refuse the call, but we can say that it refused him. Physically he couldn’t hack it, no matter how many times he applied. He had too many health issues. His persistence is a demonstration of his inner values, which is what land the attention of a certain scientist…
3: Meeting the Mentor
The mentor in this case was Dr. Abraham Erskine. He cleared Steve for Army training, giving him a 1A status, despite all his previous failures. Erskine later gave Steve his superpowers, but more importantly, he gave him a guiding philosophy: be good, and do good.
4: Crossing the First Threshold
Getting his powers was only one part of this step. He showed he could do the job when he ran down a Hydra agent and tore him out of a submarine with his bare hands. The real challenge was being taken seriously by the Army. The program didn’t go as planned, so the brass immediately discarded him. Steve had to show them why they should let him fight. So he went out to rescue Bucky and the others. He led the Howling Commandos into battle across the world. He fought Red Skull. All of these were stepping stones of increasing difficulty, proving to himself and to others that he could be The Captain.
5: The Woman as Temptress
In Campbell’s monomyth, this step on the journey is often a symbol of the hero being tempted by his baser instincts, instead of holding to a higher moral code. Steve’s responses to temptation are largely played for comic relief, especially in the first movie with this throwaway scene featuring Natalie Dormer–who, by the way, would have made a much better Captain Marvel than Brie Larson.
Despite all the women willing to leap into his arms, we’ll see in the end that Cap is a good man with a loyal heart. Even with Black Widow trying to set him up on a ton of dates, or have him engage in performative PDA for a mission, he’s reluctant.
Steve’s temptation isn’t something as simple as getting hot and bothered over a pretty woman. His real weakness, his real “baser instinct,” is a small shred of selfishness–if you can even call it that–that makes him miss his own time and his own people.
It’s the pending revelations about Bucky that blow that wide open, later on.
6: Meeting with the Goddess
Obviously his one-and-only is Peggy, with the exception of a single kiss to her niece shortly after Steve attends Peggy’s funeral. Later, when he has the chance to take the life that he always wanted with her–to give her that one dance–his loyalty comes full circle.
Just like a compass.
And of course, at this juncture he meets a few more helpers along the way.
7: Belly of the Whale/Death and Rebirth
This is one of the steps that is broken up across a couple of the movies. Obviously he enters the “belly of the whale” when he has to crash Red Skull’s bomber at the end of The First Avenger. Here, he receives a symbolic death.
Likewise he gets a symbolic rebirth in Avengers, but the process isn’t entirely complete. Not yet. Still a few kinks to work out…
8: Road of Trials
In Avengers, the trial is coming to grips with the fact that he is 70 years removed from his own time, and most of the people he has ever known are probably dead. He figures out how to keep fighting evil in the present, and just as soon as he gets a grip on that, the past comes back to attack him with a vengeance. This will factor heavily into future temptations…
That said, he isn’t without sexy new helpers on the way!
9: Atonement/Abyss/Completes the rebirth
It would take too many GIFs to illustrate this phase, but most of the “Abyss/Rebirth” happens in The Winter Soldier, where Steve realizes he is fighting a war on two fronts, against an enemy that is far too close to home. His rebirth is completed when SHIELD is in ruins, the director had to fake his death, and the only people Steve can trust are Falcon, Black Widow, Maria Hill, and Nick Fury. This is the moment when he truly becomes The Captain.
Predictably, leadership isn’t without its burdens, and one of the first signs of a rift between Steve and Tony comes in Age of Ultron, when Steve disagrees with Tony’s plan to protect the whole world. This ends with Ultron dropping a city out of orbit, killing countless people, something Tony will probably have on his conscience for a while. As a result, Tony semi-retires from the Avengers, leaving Steve in charge of it all.
11: Ultimate Boon
What’s the ultimate boon for a man out of time, whose only remaining friend is still out there, and can probably be rescued?
It’s a question that answers itself. But it’s not without a whole boatload of problems, especially when Bucky was just framed for a terrorist attack that killed the king of Wakanda. Yes, Bucky is Steve’s boon, his only remaining link to the era he is truly from. Really, Bucky is Steve’s inspiration for going on this journey to begin with, as Steve pursued it aggressively once Bucky shipped out. He had to go save his friend.
No matter the cost…?
12: Refusal of the Return
Now the small cracks start to widen into fissures. Steve has ascended to the level of Captain America, leader of the Avengers, Earth’s mightiest heroes…and wouldn’t you know it, the governments of the world want to put a leash on him. Reduce him to the status of a simple–albeit effective–soldier like he was back in World War II.
There was a time when he would have wanted that.
But now, with everything that’s on the table–not the least of which is the truth about Bucky–he can’t go back to the way things were.
“The safest hands are still our own.”
13: Magic Flight
Once again, Bucky factors heavily into this step of the Journey, though we get a healthy dose of “fight” with our “flight.” In the end they get some help from another kind of ‘magic,’ this time from T’Challa.
14: Rescue from Without
Hoo boy. How many times does he need help from other people? It does happen plenty. Maria Hill rescues him from Hydra in The Winter Soldier. Agent 13 brings him his gear in Civil War. T’Challa takes him to Wakanda.
And of course, in Endgame, Dr. Strange and Falcon come to his rescue, just as a broken Captain America is facing Thanos and his entire army.
15: Crossing the Return Threshold
The fact that Steve is not a product of our time never truly escapes his attention, or that of the audience. Thus his return can never really be to a physical place, but rather a chronological one. “Old Man Steve” had been drawn a number of times in the comics, and I tell you what, seeing it on screen was a real treat.
Yes. In a way, he goes back.
16: Master of Two Worlds
More important than just returning to his time, he ends up living the life he wanted, the life he fought so long and hard to have. He mastered the role of Captain America, leader of the Avengers, just as surely as he mastered the life of a married man to Peggy Carter.
17: Freedom to Live
He took this one for himself at the very end of Endgame. It was a conscious choice as he time-traveled through the Quantum Realm, deciding not to hit his target mark and instead return as a 100 year-old man. He had the freedom to do so. His mission was complete. His work was done. The most powerful evil in the universe was defeated.
And he could rest.
Post-script: a personal theory about Cap’s worthiness to wield Mjolnir.
We’re not given exact specs on what makes some worthy to pick up Thor’s hammer. I get the impression Thor’s worthiness has a little to do with his bloodline, because he really lets himself go in Endgame and is still able to carry Mjolnir.
And of course, in the comics Cap was able to use it a couple of times, but in the movies they established that he couldn’t.
Here’s my theory, as I posted on Instagram last month:
I don’t expect this was what Marvel/Whedon intended with showing this, it is more my own interpretation of events.
We know Cap has unassailable character. He fought SHIELD and Hydra at the same time in order to stand up for what was right.
So why couldn’t he lift Thor’s hammer? By what metric was he less worthy than Thor? Obviously perfection wasn’t the standard–Cap and Thor both had mistakes in their past to some degree. What was it, then?
Go back to “The Winter Soldier.” Go to the bunker at Camp Lehigh, where Steve and Natasha find the digital consciousness of Dr. Zola, who tells them the long and sordid history of SHIELD and Hydra.
One of the flashing headlines in the newsreel is that Howard Stark was killed. The fact that Zola showed this to Cap is not insignificant. Hydra was taking credit for it.
Later in “Civil War”, Tony would see the video of Bucky executing the Starks. Tony would ask Cap if he knew about it.
Cap’s silence all but confirmed it, along with the asterisk of “I didn’t know it was him.”
But somewhere along the line, I think Steve put it all together.
And he didn’t tell Tony.
Given the events of Civil War and Endgame, which were dripping with themes about atonement, I think it’s safe to say that Steve finally cleared the air with Tony over what he knew about Bucky. Tony forgave him. They moved past it. And once that was done, once he could truly be open and honest with someone he had come to rely on as a friend and comrade-at-arms, he became worthy to use Mjolnir.
And lo, it was awesome to behold.
Thanks for reading to the end, everyone. Let me know your thoughts on this, and tell me if I missed anything.
Think about what sci-fi would look like without the term “robot” in it. Think of all the properties that would be vastly different, or gone altogether.
No C-3PO, and maybe no R2-D2 either.
No Terminators, which probably means no breakthrough role for Arnold Schwarzenegger.
No Optimus Prime, no Autobots. No new Bumblebee movie this weekend.
Will Robinson died because nobody was there to warn him of danger.
Virtually no career track for Isaac Asimov, as presently constituted. The dude wrote an entire library of robot stories.
Not to say someone else wouldn’t have eventually come up with the idea of man-shaped machine that could think for itself, and give it a name that would become universal around the world, but we’re going off of what did happen in our timeline.
The writer responsible for this massive genre cornerstone was none other than Czech author Karel Čapek, pronounced “kuh-RELL CHAP-eck,” who died on Christmas of 1938. Here is his Wikipedia article, and a picture of him.
The term “robot” comes from a Czech word for “labor,” which was a central theme of the play he wrote, Rossum’s Universal Robots, set in a future where the robots performed manual tasks for humans, then eventually rose up and took over, and achieved sentience bit by bit.
The play is about 60 pages long, and I meant to have read it before doing this post, but work and life have taken my focus and it fell down the list of priorities. Nevertheless, as we humans like to celebrate round numbers of anniversaries, I wanted to give his legend a boost on his 80th.
Personally I’m grateful for his work. Transformers and Terminator both came out in 1984, the year I was born, and they’ve had a massive influence on my creative work throughout my whole life. Robots have always been my thing and I’m sure I’ll write a lot of stories about them in different ways.
Between Stan Lee and Karel Čapek, I’ve been thinking a lot this fall about what kind of mark I want to leave on the creative world during my time. It will be a lot harder than it was in their day; competition is stronger and more plentiful, and it’s hard to stand out. Will I ever revolutionize sci-fi and fantasy like these men did? It is my hope, and can only happen if I work at it.
I do have the great fortune to stand on the shoulders of giants in my time. Thanks for your stories, Karel Čapek. Keep resting in peace, and Merry Christmas to you all.