Thoughts on Mind-Reading

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It was oddly difficult to title this post, because I know what I want to say, I just don’t know how to sum it all up in a one-liner. Here goes:

I have a theory about the impact of social media on our interactions with each other: Twitter and Facebook are the closest thing we have to actual telepathy, where we get raw, brutal insights into the minds of those around us, oftentimes whether we want to or not.

To illustrate the net result of this, I give you an anime parable from the Japanese cartoon Kino’s JourneyKino is a young girl who rides around on a talking motorcycle called Hermes, going from fictional country to fictional country, never spending more than three days in the same spot.

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Each episode of the cartoon (available on Amazon) had a fairy tale quality to it, and Kino learned lessons from the various places she traveled. I found it quite touching and insightful, as any good fairy tale would be.

The pilot episode has hung with me for a few years. Kino arrives in a country where everybody is in hiding and nobody leaves their homes to talk to each other. She visits a man in his home and learns that everyone in town drank a potion that would give them telepathy. The idea was that if everyone understood each other’s thoughts, it would create harmony.

Instead, it drove everyone apart, and nobody could stand each other. Even the man and his wife split up, despite loving each other deeply before the potion. He was a musician and she was a florist, but neither of them could stand each other’s trade by the time the telepathy had taken full effect.

Now everyone lived so far apart that they wouldn’t have to hear each other’s thoughts. As tragic as that was, Kino noticed when she left the man’s house that he had maintained the flowers out front, the flowers planted by his wife.

Down the road, Kino passed another house occupied by the wife, and she heard classical music coming from inside.

The takeaway for me was this:

  • There’s a reason our innermost thoughts are known only to us and God. Part of the human experience is to decide what to say, what to think, and what to keep to ourselves, especially in consideration of others. This burden is heavier than we think, and we ignore it at our own peril.
  • People leave their mark on us in one way or another, especially the ones we love the most. Those closest to us can push our buttons in ways that others can’t, but we take people as the sum of their parts.
  • Love (specifically) and society (broadly) is about living together in spite of the things we might not like about each other, because we value the things we do like about each other.

I’m writing about this tonight after an experience I had yesterday, where somebody shared an opinion on Twitter that grated hard against my values. (Shocking, right.) This person was also an artist, working in a different medium than I do, but I am a fan of their work.

I’m sure they felt very passionately about what they said. They might have even been coming from a genuinely good place. My instinct was to assume otherwise, to the point of feeling like they were directly attacking my belief system, and by extension, me.

When I sat down to update my journal for the evening, I chastised myself for thinking that way, and recalled Kino’s journey to the country of nationalized telepaths.

This wasn’t the first time I had had such an interaction with a fellow artist. I myself am on the “conservatarian” side of the spectrum, while a lot of other artists fall on the left side of the grid.

What good would I be doing them if I got so angry at their Tweets or blog posts that I cut them out of my life? Not just stopped following them on social media, but tossed out their books or albums or movies?

I used to follow a bunch of authors and artists whose work I loved (and still do.) But most of them, at one point or another, spouted off ideas that I found philosophically wrong or politically ignorant. Often in today’s climate you’ll see people attach their dislike of an artist’s work to a dislike of the artist’s values, whether or not those values are reflected in that work.

And I think back to Kino. I think back to a nation full of people living so far apart from one another that they have no interpersonal connections, no communication, because they can’t stand each other…and yet they miss each other.

People will spout off on the Internet with things that they would mostly never say in real life to a random stranger. (There are exceptions, we’ve all met one.) I don’t blame Twitter or Tumblr or anything for this; a person’s words are the property of that person. They alone are answerable for it.

I’ve had to unfriend very few people for espousing really, really offensive beliefs (including cutting out a couple of friends in 2016 who I found out were…pretty proud racists, actually.)

Other times, if I run into a fellow artist who starts spitting political fire all over their platform, my policy is just to mute or unfollow (if it’s bad enough), and continue to enjoy their work. I don’t have to be a florist to enjoy flowers, or a composer to enjoy music.

What I’m trying to say with all of this is that social media connects us to each other in ways never before seen in human history. Maybe the rampant, staggering division is an unforeseen consequence (I doubt it) but we can still choose to be better. To be kinder. To listen to each other. And to share the best things about us with each other, patiently, and considerately.

I hope all of this made sense. Online, you’re pretty close to reading someone’s mind. Remember that everyone is imperfect, like you, and that before we completely cut anyone out, let’s remember the good parts about them in the first place.

That’s all for now. Get back to work.

Pacific Rim Uprising was really cool.

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Pacific Rim was a borderline cult-hit from 2013 that somehow lost its opening weekend to a Dreamworks Minion movie, and an Adam Sandler sequel. That kind of sucks, because it was better than its trailers led people to believe.

First off, I get it: you see a movie trailer about giant monsters and giant robots, and you think “Well, the last Godzilla movie sucked, and the Transformers flicks have never had a story, so why bother?”

Well, Guillermo del Toro is not a “low-hanging fruit” kind of director. Pacific Rim had a story, an interesting world, and a fun cast of characters. Del Toro had a 400-page manual of worldbuilding that he had put together to answer practical considerations about a monster apocalypse. Trade routes across the Pacific would be interrupted, there would be food shortages, etc.

(Granted, he didn’t see the problem with *waiting* to put swords on the Jaegers, but I digress…)

Either way, whether it’s a giant robot movie or a giant monster movie, the plot is smart, the characters are memorable, and the “Cancelling the apocalypse” line was an instant classic.

After  being stuck in development hell for a few years, they finally got a sequel off the ground. Again, people were apprehensive. “It just looks like a smasher.” Well, after seeing DC’s poor excuse for a superhero franchise–and in fairness, the fact that Marvel tends to level cities in its movies–there might be fatigue on this subject.

But again, there was a smart plot with a natural development from the first one, focusing on John Boyega’s character, Jake Pentecost.

It’s a story about freedom, survival, unity, and grit. Some characters came back from the first one, and they all progressed and had good arcs with natural motivation. There’s a plot twist halfway through where you realize the villain is not who you thought, and the final obstacle is not what you expected.

And also there are giant robots smashing monsters with some pretty impractical weapons. (Titan Redeemer’s “Ball of Death,” for example.)

If I have any knocks on it, there are as follows:

–The cast seemed kind of bloated at times, especially once you get to the cadets at the Shatterdome. The only  name I remember is “Vik” for the Russian girl. Beyond that they were pretty much Russian Boy, Indian Boy, Chinese Boy, etc. Their names did appear on screen at different times, but not long enough for them to sink in.

–Jules Reyes, the apparent mutual love interest between Pentecost and his Jaeger co-pilot, is just…kind of…there. Without spoiling anything, I think she should have been the one to pilot Scrapper, instead of the pilot that ended up doing it. Minor tweak that would have given her character more relevance.

But that’s really it. I am glad I spent the extra bucks to see it in 3D, that gave it some depth (heh) and made the world more immersive. I’m taking the wife again soon.

Go see it. It’s a fun ride.

Send Graham to Writing Camp!

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Well okay it’s more a of a retreat than a camp, but there will be real hiking and stuff. But the important part is, there will be writing, and coaching and stuff, with a legit editrix who I really want to work with.

Here’s the skinny: we were able to pay for my dog’s leg surgery, but it’s left just about no wiggle room in the budget for a while. This retreat is one of the reasons I moved up to Utah, to improve my writing and my career, so it’s really important to me that I get in.

SO. I’m open to commissioned artwork. These make great customized gifts (see the gallery below.) The larger pieces are 18″ x 24″. I can do them for $75 apiece, and I’ll include shipping in that. Please note that for this promotion, $75 will also get you an illustrated background, not just a foreground. 

I also have copies of the Engines of Liberty books on hand, as well as about 18 copies of THE HERO NEXT DOOR, with a blank sheet in the cover for a custom drawing. Contact me for prices on those. Many a reluctant teen reader has jumped into these books for hours of fun.

My email address is grahampbradley [at] gmail (dot com.)

Talk to you soon!

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My sister requested a female Star-Lord for her friend’s birthday.

 

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Another gift for a friend, with her two oldest kids as Winter Soldier and Captain America.
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Illustrations from “KILL THE BEAST”
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More illustrations from “KILL THE BEAST.” My friend Danielle was the female model.
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Commission for my friend, with her oldest as Batman.
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Same friend as the Batman drawing, this is her youngest.
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Commission for my friend Case, a drill operator on the blast crew.

Grind O’Clock

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Six years ago, I got into the best shape of my adult life, thanks mostly to my friend Braden (left, with Mjolnir.) He told me to train for a Tough Mudder, so with 7 or 8 months to go, I signed up and hit the cardio.

Between exercise and calorie counting, I dropped thirty pounds and had a great time running with Braden and my other friend, Aprilynne. We went with an Avengers theme, since it was 2012, and I thought the shield would come in handy on the electric cable obstacles.

It ended up being a nuisance more than anything, but it got the job done.

 

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Six months later I did a Spartan Race with a different group. I liked it a lot more than the Tough Mudder, because the obstacles were spaced out better, and were more geared toward upper body strength, which I had. I managed to stay around 190 pounds for this run, as well as the Mudder before it.

 

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Two years after my first run, I did a third, this time with my wife. Between life as a trucker and life as a parent, I had gained some of the weight back, and ran this one at about 205. It was also at a higher elevation, double what I was used to, so it didn’t go as smoothly for me, but we had fun.

Then this one happened. October 2015.

 

 

Aprilynne invited me back for a third Mudder, my fourth overall mud run, and I had not had the time to get in shape for it. Our second kid had just come along (and Schaara had been sick for most of that pregnancy) and I was working a new job with longer hours. I ran this one at about 215 pounds, and wanted to die after 3 miles. (The whole course was 11-12.)

At one point I even looked to my wife, who was there as a spectator, and said “Don’t let me run one of these ever again.”

About that. I’m signed up for another Spartan, later this year.

Having been stuck at 230 pounds for about six months, I’ve decided to get back in the game. Changing my diet again, counting calories again (though with some modifications…the first time, I was 27 working a desk job. Now I’m 33 working a field job. Different animals.)

I’m going to do this. I have five months to get back into shape and the clock is ticking. I’m only a third of the way through my life, I really don’t want to be an out-of-shape suck for the rest of it.

Here we go. It’s Grind O’Clock.